In day-to-day recording scenarios, it's usually easier to re-record an individual part than correct its pitch within the context of a full mix. However, they do throw up a few questions. It's inevitable that we'll see more processors like this in the future, as they're a natural extension to monophonic pitch correction. In fact, this element of its use should not be underestimated.Ĭombined with the need to learn what each control does (though aided by the information included when hovering over a parameter), and the rather small main display window, PITCHMAP is by no means a 'set and forget' processor.
Similarly, in practice PITCHMAP requires a reasonable degree of user intervention to get the best results. Like its compatriot, Celemony's Melodyne DNA, PITCHMAP is a product that promises much, and on paper (and in the demos), produces great results when applied to a range of pitch-correction tasks. Besides the main display, copious small buttons and a Threshold control, the interface uses four colour-coded knobs (cryptically labelled Feel, Purify, Gide and Electrify) to adjust the audio engine.
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